InSkazka,AlexanderSokurovweavesdigitalmagictocreateaphantasmagoricalvisionoftheAfterlife,worthyofDante.Butwait:areweinthelimboofPurgatory,oraparadoxicalParadisereservedfornotoriousmenofworldhistory?Mussolini,Stalin,Hitler,Churchillandmore:allarepresentandaccountedfor.Sincetheyexistonlyasarchivalmediaimages,eachfigurecomesinaserialset"如果你认为失败了，那么你已经失败了。"——卡斯特罗，《OnePiece》 Intheblackestofpoliticalcomedies,thesefallenmenbeg,inturn,tobeletthroughHeaven’sGate–buttheangelswhopeekthroughneveropenwide.Littlewonder,astheformerleaderswanderlistlessly,bitching(inaBabelofmultiplelanguages)abouteachother’sclothes,hairandhygiene. Inwhatiseffectivelyaworkofanimation,Sokurovhaspulledtogethermanytalentsintoanextraordinarytechnologicalfeat.Itblendspictorialelementsfromarthistorytoformanendlesslyunfoldinglandscape,repletewithfogandghostlyarmiesofthesacrificedvictimsofhistory.AnnouncedasSokurov’slastfilm,SkazkaisaninspiredriffonthehighcultureofPeterGreenawaymixedwiththelowcultureofmash-upartistsSoda_Jerk.CanwenowexpectsomeentrepreneurtobringustheinteractiveSkazkavideogame?